When Lloyd Webber introduced the musical to friends at his country home, Bjornson prepared a chandelier to plunge over the audience, a rousing effect that also appeared in the full production. “We used drapes swagging downwards and upwards,” Björnson once wrote, “dark Turkish corners leading off to nowhere, and candles rising out of the floor through mist.” Inspired by the subterranean glamour of Paris, she imagined a misty underground lake and studded the proscenium with gilded figures.
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